‹ Graveurs et gravures, France et étranger; essai de bibliographie 1540-1910Chapitre 19 sur 43 · DEN · texte numérisé non relu

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a brief description of the principal styles and notes as to the prominent engravers by Ch. Dexter Allen. October 1894. |

— Catalogue of an exhibition of engraved portraits of women writers from Sapho to George Eliot. March MDCCCXC V. |

— Catalogue of the engraved work of Asher B. Durand, exhibited at the Grolier-Club. April MDCCCXCV.

— Catalogue of engraved portraits of french authors to the close of the eighteenth century. December MDCCCXCV.

-- Catalogue of an exhibition illustrative of a centenary of artistic lithography, 1796-1896. Introduction by L. Prang. With 244 examples by 160 different artists. Illustrated with 20 photo-engravings... Grolier-Club, New- York, March MDCCCXC VI.

— Catalogue of an exhibition of Japanese prints. Introductory note by Heromich. Shugio, Mai 1896. |

— À chronological catalogue ! of the engravings drypoints and etchings by Albert Durer. Introduction by Dr. Koehler. January March 1897.

— Catalogue of etchings and drawings by Charles Meryon ?. February MDCCCXCVIII.

— Catalogue of a collection of engraved and other portraits of Lincoln. Introduction by Ch.-H. Hart. April 1899.

— Exhibition of engraved portraits of Washington commemorative of the centenary of his death. January 1900.

— An exhibition of original and other editions portraits and prints, commemorative of the five hundredth anniversary of the death of Geoffrey Chaucer. February M DCCCC.

— Catalogueof engravingsby F. Gaillard. November MCM.

— Catalogue of a collection of engravings, etchings and Hithographs by women. Introduction by F. Weitenkampf. April 1901.

— À catalogue of etchings, dry-points and mezzotints by Sir Francis Seymour Haden 3. Avril-Mai 1902.

(1) Il n’a point eté publié de petit catalogue mais seulement une édition tirée à 400 exemplaires, ornée de cinq photogravures et de quelques-unes des pièces les plus rares de l’œuvre, le prix de souscription était de 10 dollars. Catalogue du plus haut intéret devenu très rare, il vaut maintenant 140 à 150 francs, les bois n’y figurent pas.

(2) Cette exposition est à coup sûr la plus remarquable faite jusqu'à ce jour des œuvres de l'artiste. Il faut se procurer le catalogue.

(3) Extrêémement intéressante exposition la plus complète de l’œuvre du maître ; : il faut avoir ce catalogue.

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