How swcet Uie moonliglit sleeps upon thîs bank

(The Merchant o/" Venice, V. 54.)

■2. • Blow, winds, and crack your clieeks! >

(King Lear, acte UI, se. ii, 1.)

3. Pour nous borner à deux citations empruntées à des poètes trt-> divers, n'y a-t-il pas comme un subtil parfum de la poésie grecque dan? ces vers de Milton et de Coleridge :

« Tlius sang tlic uncouth swain to the oaks and riUs Whiie the still moru went out with sandals gray. »

(Lycidasy 186, 181.)

u And Win ter, slumbering in the open air, Wears on his smih'ng face a drcam of Spring. »

{\Vork withoui kope.)

4. • Tlic grcy-grown oaks ~ Titat the calm village in thcir verdant arms — Sheltering embrace» • (Suinmer, 225-227.)

« (The lively diamond) Dares as it sparkies on the fair oné*8 breast — With vain ambition emulate lier eyes. • (Ibid., 145, 146.)

« Softer gales at >vhose kind touch.... — The mountains lift Iheir green heads to the sky. » [Spring, 15 et 17.)

• Smiling Nature. • (!bid., 83.) — • The sighing gales. • (Mirf., 93.)

• The North-East spends his rage. • {Ibid.^ 142.)

- Even mountains, vales — And forests seem, impalienl, to demaud — The promiscd sweetness. » (/6/V/., lô'-ifi'j.) Et d'autres passages.