Corot, French landscape painter

17. Corot eut l'émotion Itmiineuse, Corot was sensitive to light.

Page 88. 1. l'école impressionniste, see page 85, note 1.

2. le sujet immuable, etc., hy its immobUity the subject (of Monet's paintings) more strikingly emphasized the mobility of light itsdf, Clemenceau is hère referring to some of Monet's earlier studies.

3. Vemon, a î>Vench town on the Seine river and in Uie déparU' ment of Eure,

Page 89. 1. hautes lames d'êdaîrs, embruns de lumière, biy, sparkling VHwes, showers of light,

2. série irrisée, the irideacent séries (irriaê means color of the rainbow),

3. il 7 aura autant de manières d'être, etc., Ihere unll be as many states, pfiaaeSf or aspects.

Page 90. 1. Et de l'expression toujours plus serrée, etc., and from the expression doser and doser to the subject, cornes ovJt an ever keener sensation.

2. C'en est fini, etc., the time is pastfor the canvas dead in its immobUity.

3. on la sent muante de là vie, etc., onefeels it passingfrom an M to a new stage of life.